An interview with 9News’ Adam Schrager, who’s leaving Denver in Feb.

January 11th, 2011

You’ve probably heard by now that political reporter Adam Schrager is leaving 9News Feb. 9 take a job with Wisconsin Public Television, as first reported on ColoradoPols.

Schrager came to 9News in 1999, after working for CBS News in London and three TV stations in Wisconsin. He attended the prestigious journalism school at Northwestern University, and he’s won numerous journalism awards.

Schrager is also producer/host of YourShow, an innovative public affairs program on Channel 20 that solicits show topics, questions, and guest suggestions from viewers.

Once in a Rocky column evaluating public affairs shows in Denver, I gave Schrager’s YourShow a grade of “B” because I thought it was too serious. Schrager matter-of-factly pointed out that for years I’d been criticizing local TV news for its excessive fluffy content. I regretted the column but appreciated Schrager and YourShow all the more.

I thought Schager’s many admirers would like to know more about why he’s leaving and his reflections about journalism and his job here as he departs. So I asked Schrager to answer a few questions, which  he kindly answered below:

J: Why are you leaving?

A: It’s been hard raising kids away from grandparents, aunts, uncles and cousins and now, we have some health issues with my dad which are only going to get worse. Hopefully not for a while, but we figured since both sets of our parents are in their 70’s, if we’re being honest, we needed to get back soon if we wanted our kids to have those relationships. We love Colorado but sadly could not convince everyone else to come out here.

J: Did you see a dim future for your style of political reporting at 9News?

A: No.

J: Were you being pressured more often to do things at 9News that you did not want to do?

A: No.

J: Why are you leaving the local TV news biz? Do you think your style of serious political reporting is going out of favor in the industry?

A: Honestly, I am fortunate to be able to stay in the industry but I was prepared to get out if that’s what I needed to do to get back to the Midwest. We just had to get back asap for family reasons. I’ve been doing this 20 years now and I’m a bit tired. As I think you can discern from your conversations with me the last few years, I’ve been testier and a little more on edge as the volume surrounding what we do ramps up and the anger associated with politics rises. That’s just not my personality and it hasn’t been nearly as much fun as it’s been in the past. I’m very much looking forward to doing long-form journalism and reconnecting with my craft in a way I haven’t been able to do over the last few years. That’s just a result of an industry becoming more and more driven by the immediate as that’s what the public seems to want. Maybe I’m old-school, but I like to think a little bit more than I’m afforded the opportunity to in life these days. I always like to cover the Capitol outside the Capitol and I used to be able to go find the people, places and things affected by the policy being proposed. It kind of morphed into me asking those folks questions to policy-makers, but I didn’t get out into the field as much as I would have selfishly liked to. The Wisconsin Public TV folks are part of the longest-running civic journalism project in the country, We The People Wisconsin, which teams up with Public Radio, the CBS affiliate in Madison, the Wisconsin State Journal and the leading on-line political news site in the state. They want to expand it, to do much of what we have done at 9NEWS (i.e. Teach people how to do truth tests, ask voters’ questions to candidates, etc.) and I’d imagine I’ll be a part of that.

J: Do you have doubts about giving up your big audience for the relatively small number of people who watch public TV in Wisconsin?

A: No doubts at all. I don’t look at ratings now, haven’t in the past, and don’t imagine I ever will in the future. I can’t do anything about them so why worry about it? I can control what I can control and that’s to produce the best stories I can. If more people watch them, that’s great, but it doesn’t define whether I’ve been successful or not.

J: Would you advise a young journalist who cares about politics to pursue a career in local TV news? What would you suggest he or she do?

A: You’ve heard me quote my dad before on this. He likes to say you’re a lot happier in life if you associate with people who speak in commas and question marks than periods and exclamation points. Sadly, politics has become all about the latter. If a young person wishes to focus on the former, they can make a great difference in the process. If they decide to pursue the latter path, I’d argue they need to hold their breaths because there are a lot of blowhards out there who are going to be talking in front of them.

J: Is there any chance that Wisconsin political reporting will be as interesting as what we have here?

A: I worked in Wisconsin for eight years before moving out here, covering their State Capitol and federal delegation. It’s a fascinating state, rife with the same kind of apparent historical contradictions that Colorado has. The same state that brought us Robert LaFollette and the progressive movement produced Joseph McCarthy. People there vote people before party, just like Colorado, which will always make the elections fascinating and of national interest.

J: Do you have plans to write about the progressive infrastructure in Wisconsin? How about the Wisconsin conservative infrastructure?

A: Haven’t thought about it. Just finished an epilogue to The Blueprint called “The Western Firewall” that chronicles how the progressive infrastructure helped John Hickenlooper, Michael Bennet and Harry Reid withstand the Republican tidal wave of November. As for future book projects, I have two in mind and neither are directly political in nature. As I mentioned earlier, I need a bit of a break mentally from the political grind.

J: Will you continue writing about Colorado Politics?

A: One of my book projects involves Colorado history which inevitably includes politics, but if you’re asking if I intend to become a blogger, columnist or some type of advocate, I can tell you I don’t intend to do that. I need to spend more time with my kids, not less. More time with my family, not less. More time with my friends, not less.

J: Will YourShow continue? Truth Tests?

A: Hope so on both accounts.

J: Who will do political reporting at 9News?

A: For the short-term, my colleague Chris Vanderveen will be handling the General Assembly when I leave. Another colleague, Matt Flener, will be the point person on the Mayoral race.

J: What are a couple of your favorite moments during your career here?

A: My favorite moments are not at all political in nature, unless you think being inspired by the triple amputee who comes down to the Capitol to lobby for other amputees. I have been so moved by so many, it’s hard to narrow it down to just a few great moments. I think you know I love what Gov. Carr did. I’m happy to have met him in the figurative sense and more importantly, to have been able to share the story of Japanese American internment to an audience that sadly doesn’t know anything about it. I could really just ramble here about person after person who’s moved me, but that would be dull to your readers and take me way past my bedtime which is early these days since our 16-month-old son still has trouble sleeping through the night.

J: Anything else?

A: Thanks for your interest in what we’ve tried to do.

Spokesman explains Hick’s “drill-the-living-daylights” quote

January 9th, 2011

Today’s New York Times features a profile of Governor-elect John Hickenlooper, concluding that, if Hick does “well” and is re-elected in 2014, then “it’s not hard to believe” that there will be “murmurs” about a Hick presidential run in 2016.

That’s a convoluted way to say the murmurers have already started murmuring.

But there was more in the article to murmur about, especially if you’re a murmuring environmnentalist, and we all know those folks like to murmer (Sorry, I like typing “murmur,” I guess.).

NYT Reporter Frank Bruni quotes Hickenlooper as saying “we should drill the living daylights out of natural gas and cut regulation.” Bruni adds that the Gov-To-Be also considers himself an “environmentalist.”

It’s a 13-word quote in a loooong article, and Hick has said similar things before. But, still, he’s getting close to “drill, baby drill’ here.

So I emailed Bruni to find out if Hickenlooper might have added a couple dozen other words in their conversation that put the “living daylights” quote in more context. Unfortunatley, I did not get a response.

So I asked Alan Salazar, who will be Hick’s chief policy and political director, what Hick meant. Was there context that was left out?

He emailed me:

“Context was lost in what John would acknowledge was a clumsy reiteration of what he consistently said on the campaign trail, namely that we ought to push natural gas enthusiastically and adjust regulations that aren’t proven to be efficient or effective. But regulations that are necessary for protecting public health and the environment have to be upheld. It’s always a matter of balance and keeping an open mind to what works. John recalls making this latter point (as he did whenever the topic came up on the campaign trail) to Mr. Bruni, but it didn’t make the story.”

Post right to move Littwin column off page two

January 5th, 2011

You hate to see Mike Littwin being shuffled back to the commentary section of The Denver Post.  But it was the right move.

I loved reading Littwin on Page two, and I’m sure lots of people who hate Littwin also loved reading Littwin there. He’s one of the best things the paper has to offer.

But I agree with the old argument that newspapers will survive in the long run only if they can convince us that they’re fair and accurate. That’s the niche that might possibly allow them to survive in a blogosphere full of news that you can’t trust. Not all of it, of course, but a lot of it.

The Post’s future depends more on its credibility than the quality of its opinion writers. Littwin is a great writer, and he’ll still be there. In fact, The Post should put a little note on page two every day for the next year telling readers where to find Littwin.

But a left-leaning political column like Littwin’s, surrounded by the news pages, creates the perception that The Post’s news content is also biased.

Asked via email why he move Littwin, Post Editor Greg Moore wrote me:

“I think it is fairly obvious why Mike is in op-ed. It is a perfect place for the type of column he writes, one we value. I created Page 2 exposure for him and Tina to signal to our broader audience we had embraced two high profile Rocky columnists and frankly I had no place else to put them and give them visibility. I had known for a while that Littwin really was writing an excellent op-ed column and we had achieved what I wanted on page 2. So we made the move.”

The move also puts Littwin on the editorial board of The Post, which needs dose of air from the left.

In his debut column from his new location, Littwin didn’t sound very hopeful about winning over the editorial board, but at least he’ll be there some of the time. Just looking at Littwin might frighten a guy like columnist Vincent Carroll, who is also on the editorial board.  Littwin wrote:

“They’ve promised I can skip as many board meetings as I like and that I don’t have to wear a tie and I still can go on the road to follow Palin and Huckabee and the rest of the Fox News Republican primary next year, but only after poking as much fun as possible at Mejia, Romer, Boigon, Hancock, Linkhart and everyone else running for the honor of taping the welcome-to-Denver greeting at DIA.”
I understand Littwin’s sitting in a desk vacated for his arrival by Carrol, who moved to a new seat in the office.  That’s the kind of detail that might help people understand what a newspapers opinion section  is supposed to be about.

The Post should report on and explain its campaign to protect copyright

December 15th, 2010

UPDATE: This post was corrected Dec. 16 after a reader pointed out that Stephens Media, which is connected to Righthaven, does not own the Las Vegas Sun, which has been reporting extensively on the Righthaven lawsuits. Since March, Righthaven has been suing entities that post content from Las Vegas Review-Journal, not the Las Vegas Sun. But the Review-Journal, like the Denver Post, did not report a peep about this, until September, when it published a story about Righthaven suing Senate candidate Sharron Angle for alleged illegal use of Review-Journal articles.  The Review Journal ran a second article last week when Righthaven began suing to stop alleged illegal use of Denver Post content. Last week, the Review-Journal ran this and this blog post. Still nothing in The Denver Post on this topic. I’m sorry for my error.

——-
You may have heard about a Las Vegas law firm, called Righthaven, that’s buying the copyright to Denver Post content that is allegedly being used illegally, in violation of The Post’s fair-use policy, and then suing the alleged violators, typically for $150,000 plus the rights to the offender’s domain name.

Or, more likely, you haven’t heard about the firm, because shamefully, as far as I can tell, neither it nor its activities have been mentioned at all in The Post. (Please correct me if I’m wrong here.)

But the legal strategy to stop alleged copyright infringement has been comprehensively reported in Las Vegas Sun, and locally Westword picked it up, as did The Colordo Independent, among others.

On Monday, The Denver Daily News weighed in with the most comprehensive local coverage so far, interviewing the co-founder of Righthaven as well as representatives of some of the blogs and websites that have been sued. Righthaven, with the apparent blessing of The Post, is suing entities large (Drudge Report) and small (lowcountry912.wordpress.com).

I’m glad The Post is trying to protect its content, because I don’t buy the argument, nicely summarized today in the Sun, that newspapers are giving away their articles on their websites for free to anyone who wants them.

Still, you have to wonder about the Righthaven approach when you read a quote like this, in the Denver Daily News piece, from Steven Gibson, founder of Righthaven and reflecting comments he’s made elsewhere:

“It does not appear that an approach to addressing the infringement of copyrights that is based upon merely sending out takedown letters is a very effective way of dealing with that issue,” said Gibson. “There are literally millions, if not billions of infringements out there.”

“If a newspaper were to add the requisite staff to identify the infringements, to properly identify the infringers, and spend the time drafting appropriately worded letters, and kindly ask each one of those infringers to stop infringing, it would cost a newspaper an unmanageable amount of money to do that,” continued Gibson.

So Righthaven is suing without warning.

I called Righthaven founder Gibson, and he confirmed cease-and-desist letters are not sent because they do not work and the process is too expensive. He said:

Gibson: Think about it a minute, Jason. You are managing a newspaper’s legal department, and you have to go to management to say I need to fund the effort to staff enough people who will have notice of an infringement, then do due diligence to make sure you’re sending the letter to the right place, and then draft an appropriate letter, and follow up to make sure that the infringer received the letter because more likely than not you might not receive a response. How long do you wait in order to receive a response? That’s a lot more than one minute.

Then let’s assume that the receiver [of the letter] takes down their infringement, and says you take it down if you don’t sue me. And let’s assume there are tens of thousands of infringements out there.  And how long does it take you to develop a story? And how much are you being compensated? The newspapers are already financially strapped, and adding the capacity to write people gentle letter to say would you please take down the infringement.

And the other thing is that then the other people who know you are doing it say, ok well, they have another 9,999 letters to go before they get to me, and if all they are going to do is send me a letter saying take it down then there is no real risk to me for posting the infringing content. All they are going to do is ask me to take it down. So, you know, whoop-tee-doo, I’ll just post the infringing content and see if they ever get around to writing me a letter.

Well, our experience here in Colorado shows Gibson to be wrong about the deterrent effect of a takedown letter. One measly letter was sent to ColoradoPols, and now you rarely see any of the Post’s content in Pols, and there’s been nothing close to a violation of The Post’s fair-use policy since the letter was sent.

But Gibson has a point, no doubt, that the prospect of a no-warning lawsuit is much more frightening  than the prospect of receiving a takedown letter. I am ashamed to admit to having used copyrighted content in past lives knowing that a cease-and-desist letter would probably arrive before a lawsuit. Had I expected a lawsuit first, I may not have done broken the law.

He’s less convincing about the resources required to send warning letters. I mean, interns could do it. It just doesn’t seem that complicated to me, even if it takes a little longer than you might think at first blush. In any case, the fact that Righthaven has reportedly taken in a quarter million dollars from these lawsuits makes you wonder if there’s a better way to fund copyright enforcement.

Actually, I’m hoping that the no-warning lawsuits are part of an initial PR strategy that will be abandoned once the word gets out that newspapers are serius about protecting their content. 

I thanked Gibson for making himself available to me, and I asked if this was part of a PR strategy to let scare the world to stop stealing content. He denied this, saying:

I believe that Righthaven is going to ultimately be recognized as doing the right thing. Money is not everything. And we believe that we are advancing a social purpose, independent of whether there is a deterrent value. We believe that protecting the ownership interest in copyright is an appropriate thing to do and is forward looking, irrespective of the deterrent. And while we are running a for-profit business, we like to believe that the propriety of Righthaven’s approach will be proven over time, as issues are more fully addressed by the courts, in both Righthaven cases and otherwise that we will create a greater and broader understanding. That’s why I try to make myself available to member of the press….

Let’s go back to the basics. Copyright law is in the Constitution. It comes from the Constitution where our forefathers said, we’re going to protect inventors and artists, effectively. It’s important that at the very founding years of our country that we are going to advance the protection of the people who engage in the creative capacity, such as you. You’re going to write this article, and people should respect that. And so all of these folks out there saying, we’re attacking people, that’s very strange.

Gibson goes further:

Jason: I just think in the spirit of public discourse, which actually a newspaper tries to promote, you try to solve things without this kind of harsh—

Gibson: What’s harsh?

Jason: Filing a lawsuit when you could send a letter first.

Gibson: First of all, that presupposes that that’s harsh…-who is it harsh on? You don’t factor in the fact that we have $350 filing fees, we have $100 more of service and process fees on these defendants. So, you know, the plaintiff in these cases, Righthaven, has to expend hundreds of dollars, and arguably thousands of dollars, there are copyright registration fees and application fees. We put our money where our mouth is, if you will. This isn’t easy or inexpensive.

And, again, the question is have takedown letters succeeded in addressing the infringements. Can anyone argue in all of these blogospheres that the takedown approach will ever be successful in stemming the tide in infringement?

Jason, here’s a fantastic story for you, because your approach to this has been a bit more balanced and objective and you’re generally asking some good questions. Think about the future of the American economy. Think about 20 or 30 years from now. Think about the evolution of the American economy. Think about where value is going to be created in the future. And that is, more likely than not, our society to continue to advance, and the creation of intangible assets, content, will continue to be much more important in the future. You follow me?

Jason: Hmm mmm.

Gibson: And we continue to migrate from a post-industrial economy, whereby a vast part of the American economy is the management of information and the development of content. If you think it’s important today, look at how important it is going to be decades from now. And as such, isn’t Righthaven recognizing today what is going to be readily apparent 20 to 30 years from now, and that is, when a good part of our economy is relying on people respecting that which drives our economy, i.e., the creation of intangible assets in the information economy.

So what to do if you’re in The Post’s shoes?

Obviously, the Post should milk the PR value of this exercise by having their execs talk about it! Explain to the masses why you’re trying to protect your stories, and give people the basics about fair use.

The Las Vegas Sun is reporting on it extensively. But the Las Vegas Review-Journal, whose parent company is associated with Righthaven, has only published two articles, as far as I can tell and at least one blog post. (See the Update above.) The Post should start reporting and commenting on the Righthaven lawsuits.

The Post should take responsibility for its own lawsuits, and divulge its apparent relationship with Righthaven. Righthaven is actually kind of like one of those 527 political groups, acting “secretly” for the newspaper. And the Post’s editorial page seems to hate 527s.

The Post should also instruct Righthaven to go after the larger entities first, the ones who are more likely to know better. That’s basic kindness.

And also, The Post should insist that for every no-warning lawsuit that’s filed by Righthaven, ten cease-and-desist letters are put in the mail. This approach is more humane, while recognizing the real-life deterrent value of the no-warning lawsuit. How much time could it possibly take to write boiler-plate warning letters to copyright violators and track the responses.

In any case, if the current approach by Righthaven continues indefinitely, The Post will look seriously bad, and it looks pretty bad already, which is unfortunate because in the big picture, its cause is just.

Bloggers and legacy media deserve fair credit for stories

December 13th, 2010

In a public discussion Wed. of media coverage of the 2010 election, The Denver Post’s political editor Curtis Hubbard said if The Post reports on a news story that’s appeared previously in another outlet, the newspaper is committed to giving proper credit to the news outlet that broke the story.

The Post is “trying very hard to give credit where credit is due,” he told the audience of about 50 people. He said that, for his newspaper, this is a “sea change” in culture, but it’s only fair, he said, given that The Post wants credit for its work.

I called State Bill Colorado Editor Don Knox, who previously quoted Post a post editor saying the same thing, to discuss Hubbard’s statement, and he told me Friday that he’s seen “positive signs” at The Post lately.

“What I sense is that everybody is getting a bit better about it,” he told me. “But in the end, there’s no police, so you have to have the integrity to want to attribute.”

That’s the bottom line, and as Knox points out, if reporters do a Google News search prior to starting a story, they can usually determine if their story has been reported previously.

That part is easy, which isn’t meant to imply that reporters or bloggers or others always do it. Or that it always works for various reasons.

But this issue has layers of complicating factors.

When does a news story become sufficiently established as to become a fact of life, free for the taking without requiring a tip of the hat or a wag of the finger to anybody?

Knox says the length of time you continue to give credit for a scoop depends on the circumstances. “If you come in a month later, and write a story about it, and act like you’re breaking it, that’s where you should recognize other people’s entrepreneurial journalism.”

Semi-retired Post columnist Fred Brown, who’s written on journalism ethics for the Society of Professional Journalists, told me that once the “candidates are making a big issue of the story, the originating organization loses ownership of it.”

He also said: “I think one of the ways you make the story part of the accepted history of the campaign [so as to no longer require credit] is to further it. If you turn up a new fact, you credit the originating organization once, but after that, it’s as much your story as theirs because you’ve done reporting.”

What about a reporter who gets a story idea from another publication and then confirms the story independently from the same or a different source?

Knox says this is a “red herring.”

“It doesn’t matter whether I got it from an individual source or a publication, I still acknowledge the publication that had it first,” he said.

I asked Brown what he thought a news outlet should do if it discovers later that it failed to credit the work of a publication that reported on a story first.

He first said he sympathizes with reporters who might miss something due to the large number of news sources out there.

Then he said he’d first have to be convinced that another news organization had the story right. If so, he said, to be fair and credible, he’d write a clarification, possibly for the archive, or mention it in a follow-up story, if there were one.

“It’s not a huge ethical issue,” he said. “It’s more a matter of manners, to go back and give credit to the originating organization.”

Brown goes on to say that the public doesn’t care about who got it first.

And even big scoops can’t do much for newspaper sales these days, when news consumers get the same big news instantly as it spreads across the media.

But scoops are far from meaningless. In fact, they’re really important. They show people that a news organization is doing its job, doing reporting, breaking news.

Giving a news organization proper credit for its work, and abiding by reasonable fair-use policies, displays a basic understanding that journalism isn’t free. Proper credit helps the outfit that dug up the news pay its bills, through its ads that you see when you click through to its website to read more.

The name recognition for getting proper credit also helps. The links help. The respect helps. It adds up, and gives everyone, bloggers and legacy media, a chance to survive based on their own work.

Summary of panel on “Journalism and the 2010 Election”

December 9th, 2010

Here’s a summary, from a live blog on Colorado Pols, of a panel discussion yesterday on media coverage of the 2010 election in Colorado.

About 50 people attended the event, co-sponsored by UCD School of Public Affairs and Rocky Mountain Media Watch, which houses this blog.

Over about an hour and a half, the five panelists addressed issues ranging from the lack of day-to-day political coverage on Channels 4 and 7 to the reasons whether the The Post would have reported the McInnis plagiarism scandal if the Rocky had not folded.

The journalists on the panel responded to questions from the audience for about 45 minutes.

I’ll follow-up on some of the issues raised at the panel in future blog posts.

CO journos discuss 2010 election coverage tomorrow

December 7th, 2010

Don’t forget the panel discussion tomorrow, with five Colorado journalists, on media coverage of the 2010 election.  It takes place Wednesday at 2 p.m. at 1380 Lawrence, 2nd floor. The free event is sponsored by Rocky Mountain Media Watch, which houses this blog, and UCD School of Public Affairs.

Hope to see you there.

Dean of UCD School of Public Affairs to speak briefly at media panel

December 2nd, 2010

Paul Teske, Dean of UCD School of Public Affairs, will make short welcoming comments at next week’s panel on “Colorado Journalism and the 2010 Election.”  The event takes place Wed., Dec. 8, at 2 p.m. at the Lawrence Street Center, 1380 Lawrence Street, 2nd floor.

Some have been critical of the panel makeup, pointing out that it lacks “new-media” representation. I agree with this, to a degree. The problem is, if you added someone from the influential new media in Colorado, (among others, ColoradoPols, the Colorado Independent, Face the State, and possibly some elements of the People’s Press Collective), you’d have to have added two people to maintain balance. That would have made the panel too big. And if you removed a couple people, I think the panel would have been less interesting.

Also, “new media” and “old media” are blurred nowadays. The “old media” are doing a much better job of using new-media technology than they used to. 

And finally, at least at this moment in time, the “old media” in Colorado have a much greater impact on elections than all the new media combined. This isn’t as true at the national level, but that’s how I see it here in Colorado. I’m not saying CO new media didn’t have an impact on the 2010 elections. They did, but “traditional media” still rule here.

Journalists to discuss media coverage of 2010 election

November 30th, 2010

Five prominent Colorado journalists will answer your questions during a panel discussion Wed., Dec. 8, at 2 p.m. , on the topic, “Colorado Journalism and the 2010 Election.”

 The panelists are:

Charles Ashby, Reporter, Grand Junction Sentinel

Curtis Hubbard, Political Editor, The Denver Post

Adam Schrager, Political Reporter, 9News, Producer/Host YOUR SHOW

Eli Stokols, Political Reporter, KDVR Fox 31 and KWGN TV

Kristen Wyatt, Reporter, Associated Press

 The description of the panel is:

“With the Rocky Mountain News gone and journalism in the midst of major changes, did Denver media outlets provide citizens with the information needed to make informed decisions during the 2010 election? What were the journalistic triumphs and lapses during the election cycle?”

The event will take place Dec. 8 at 2 p.m. at Lawrence Street Center, 1380 Lawrence Street, in the Terrace Room on the second floor.

Panelists will offer introductory comments and then take questions from the audience.

If you can’t make the it, but you have a question, please email it to me (jason@bigmedia.org), and I’ll consider asking it.

The event is free and open to the public. No RSVP is required.

Questions? please contact Jason Salzman at 303-292-1524 or jason@bigmedia.org.

The event is co-sponsored by University of Colorado Denver’s School of Public Affairs and Rocky Mountain Media Watch, which houses this blog.

An anti-election media bias

November 29th, 2010

Why do I feel like a freak in America for loving elections?

Because most people apparently feel the opposite way about them. That is, happy that the election is finished, the ads gone, the polls stopped, the metaphorical litter off our doorsteps.

How should a journalist deal the reality that, on one hand, most Americans seem to hate politics and modern elections, but on the other hand, there are plenty of reasons some people love them: Because they’re so important. Because they’re such a spectacle, especially this year in Colorado. Or for the challenge they present in deciding how to vote. Or, actually, for their depth and complexity.

It’s obvious that a reporter should cover the things that people hate and love about politics…-to air out the anger and the issues involved.

But one thing political journalists should not do, IMHO, is make broad interpretive statements about how much Americans hate the political season, in the course of reporting stories that aren’t focused on people’s attitudes about the election process.

And, unfortunately, it isn’t hard to find evidence of Colorado journalists doing this:

For example, during a news show before this month’s election, a Fox 31 anchor turned to a political reporter and asked:

“Don’t you think there’s going to be a collective sigh of relief when this is over, not only for the candidates but for all of us?”

Similarly, during its 10 p.m. broadcast the night before the election, 9News concluded its piece on the next day’s voting with a shot of snowy mountain peaks and orange leaves falling in Denver, while the voice over stated:

“After tomorrow we can get back to why we love Colorado, but I’m sorry to say that the 2012 election and those images we’re sick of (image of ad with clip …billions of new job-killing taxes’) are not so far away.”

The Denver Post’s Spot blog lobbed a subtle and unnecessary salvo in mid-October, when it reported on a Michael Bennet event in Estes Park:

“It was the kind of blue-sky, golden-leaf fall day that can kick politics far down the list of local concerns-.

The underlying assumption in each of these cases is that if we don’t hate politics, we certainly don’t like it much, and, especially in the TV examples I found, we want the election to go away as soon as possible.

Maybe that’s mostly true about Americans today, but even so, why should a reporter reinforce this anti-election attitude, in such broad terms and in news stories that have nothing to do with analyzing the election process?

Doing this amounts to an anti-election bias.

Ironically, journalists who report in this one-sided way are undermining their own jobs by turning more people off to politics and helping to convince them to change the channel when the news comes on.

It’s also not in the public interest.

Asked about this via e-mail, 9News Political Reporter Adam Schrager pointed out a few of the ways that 9news’ networks’ election coverage serves the public interest.

He listed the “thousand-plus voter questions” posed to candidates, the series of hour-long commercial-free debates, the more than 50 “long-form analyses of political commercials,” other election-related coverage, and more.

He also wrote that “voters, myself included, are frustrated because they’re not shown the respect I’d argue they deserve in this process. I share that with the candidates and campaigns themselves so I don’t feel like I’m being two-sided in any way.”

Schrager thinks candidates and the public want elections to focus on a candidate’s “merits rather than on someone else’s demerits.”

He wrote:

Am I frustrated with how campaigns are being run? Without question.

Am I disappointed that candidates are being taken out of context in order to make a political point? Indeed.

Most importantly, am I saddened with how Colorado voters continue to be treated without the respect they deserve by candidates and interest groups that hide in the shadows peddling half-truths, empty rhetoric and outright falsehoods? Most definitely.

I always sign my latest book, …Democracy needs to be a participatory sport.’

There is nothing I do, either professionally or personally, that in any way turns people off to voting or …trashes elections.’

If I may be so bold, the folks who are paying you to blog and others on both edges of the political spectrum are already accomplishing that goal nicely.

Asked about his reporting from Estes Park, Denver Post reporter Michael Booth wrote:

“I’d have to say that of all the things I worried about with my reporting on politics, this was not among them. I agree that politics is policy, and people should care, and that it’s silly to continue bemoaning the nastiness of elections all the time. A good fight over policy and positions is exactly what makes these things interesting. But it’s also true that every time I met someone from outside the politics/journalism field, friend or new acquaintance, the first thing they said to me was, …I’m so sick of all the ads and I just want this to be over, don’t you?’ So there’s a benefit to occasionally let readers see in print that we acknowledge their pain, and that we understand not everyone is thinking about these things 24/7. Many, many of our readers would rather know it was a beautiful fall day in Estes Park, and keep that image in their heads the rest of the day, than to know Michael Bennet was up shaking hands in an Estes Park jewelry store.”

I acknowledge that my point is nitpicky, when you look at the enormous body of election coverage in, for example, The Post, and on 9News and Fox31.

And I know that journalists are right about people’s dissatisfaction with politics, and there’s plenty of evidence to back this up, like low voter turnout, hatred of Congress and political advertising, and a political culture that’s shallow and ill-informed.

And no one wants Suzy Sunshine reporters running around saying how great the electoral process is and that everyone loves it, especially on sunny days.

We don’t want to hear a reporter say: “We know you’ll be sad when the election season ends tomorrow. But look on the bright side. The 2012 election is just two years away, and meanwhile Colorado is a great place to live.”

So news stories addressing the dark and unpopular side of politics should be aired early and often. I definitely agree that our election process is flawed.

But the public interest isn’t served when journalists make sweeping statements, in the course of covering election events, about how much we all dislike politics and the election and how happy we’ll all be when it’s over.

That’s a form of media bias, however subtle, that could cause more destruction than liberal and conservative media bias combined.